Critically acclaimed singer/songwriter, Chip Taylor is a Renaissance
man whose determination and dedication have permeated all facets of
his life.
Born in 1944 and raised in Yonkers, New York, Chip (a.k.a. James Wesley
Voight) began his love affair with music early in life. At the ripe
old age of eight, he convinced his parents to let him stay up late to
hear a country radio station whose signal emanated from West Virginia.
His penchant for the country genre found an outlet in Chip's high school
band, "Town and Country Brothers" (King Records). After the
band broke up, Chip tried his hand as a professional golfer. He met
with some success but was soon sidelined with a wrist injury. It was
then that he decided to give music his full attention. Subsequently,
he signed a contract with Warner Brothers Records in 1961 and had his
first top 100 hit single, "Here I Am".
Soon after, Chet Atkins heard a few of Chip's country songs and said
it was hard to believe that he was born and raised in New York. Chet
started recording several C.T. compositions with artists he was producing
and Chip had his first big hit as a country songwriter with Bobby Bare's
version of "Just A Little Bit Later On Down The Line".
In the mid 60's, Chip signed a staff writers contract with CBS' Blackwood
Music. He started combining his country feel with R&B (his other
musical love) to write songs that, to this day, remain a staple in the
American music diet. His ability to write in varied voices and styles
is demonstrated in two of his best known songs, "Wild Thing"
and "Angel of The Morning". The ubiquitous, "Wild Thing",
(Jimi Hendrix, The Troggs, X) with its guitar driven, sexually charged
theme is in direct contrast to the hauntingly romantic, "Angel
Of The Morning", (Merilee Rush, Juice Newton, Chrissie Hynde).
Other Chip Taylor songs that are ingrained in American music are "Try
(Just A Little Bit Harder)"' a performance favorite of Janis Joplin,
“I Can't Let Go"' (The Hollies, LindaRonstadt) and "
Country Girl, City Man"' (Ike and Tina Turner).
Additionally, along with producing partner, Al Gorgoni, he discovered
and produced James Taylor (James Taylor and The Flying Machine), and
Evie Sands (her version of "Any Way That You Want Me" became
a big hit in 1968). They also produced Neil Diamond's "Brooklyn
Roads".
He released six solo albums in the 70's and 80's, including Chip Taylor's
Last Chance. Rolling Stone acclaimed this work as one of the best country
albums of 1973. This album was one of the forerunners of the renegade
cowboy movement containing several hit songs. One such song, "The
Coalfields of Shickshinny", commemorates the lives of Chip's grandparents,
refugees who had worked the hard coal mines of Eastern Pennsylvania
at the turn of the century.
His family has played an important part of his songwriting process.
He has written several songs for them throughout the years including
Anne Murray's version of "Son Of A Rotten Gambler", a song
written for his son, Kristian, that went to the top of the country charts.
The song is particularly poignant as it speaks of his other great talent
-- gambling -- that he explored extensively during a break from his
recording career in the early 80's.
As a professional gambler, he was one of the foremost thoroughbred horse
race handicappers on the East Coast. When Chip turned his sights on
the gaming tables, he quickly gained notoriety with his black jack prowess;
finishing third in the World Black Jack Championship in Las Vegas. Taylor
became one of the most feared card counters in the land and was ultimately
banned from every casino in Atlantic City. In the late 80's, along with
friend, partner, and renowned handicapper, Ernest Dahlman, he garnered
enormous winnings through his horse racing exploits, specifically in
the form of massive pick six scores (wagers where often times you get
paid enormous sums for picking six winners in a row). These windfalls
are known throughout the gambling world and well documented by the I.R.S.
In 1993, Chip agreed to go on a national songwriter’s tour with
Midge Ure, Darden Smith, Rosie Flores and Don Henry. As a direct result,
his creative juices started to flow again. Bonnie Raitt recorded his
"Poppa Come Quick" on her Luck of the Draw album and several
other artists started recording his new material. Taylor released his
retrospective collection, Hit Man (Gadfly Records), containing his versions
of thirteen of his most successful songs. He is now concentrating on
making music again, with a commitment he hasn't felt since The Town
and Country Brothers days.
In 1997, The Living Room Tapes, was released. Presented with an autobiographical
honesty, it is an intimate look at Taylor's life and relationships as
well as a welcome return of an incredible talent.
Seven Days In May (released April 1999 in the US), is a love story about
meeting a pregnant woman named Florence at a swanky New York City bar.
The CD tells the story of their seven days together--from spying her
at the Pravda Bar to meeting the father of her baby. The album includes
two duets with Grammy winner Lucinda Williams (Through Their Mother's
Eyes & If I Don't Know Love") and one duet with legendary Guy
Clark.